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Floyd, Noun / Julia Yezbick, 2007, 00:04:06
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Floyd, Noun / Julia Yezbick, 2007, 00:04:06 Floyd was a collaboration between Noun and filmmaker Julia Yezbick. For one night we holed ourselves up in a 19th Century convent(converted into a beloved graduate studio) on Floyd ave in Richmond. Julia shot video and we recorded everything we could make noise with (old computer parts, pieces of metal, the walls and floor). Then we played and projected until the wee hours in the morning. This little ditty, aptly named Floyd, is the result. A fond farewell to our graduate studio space.
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field+ recording+ |
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The files available for download below are available in mp3 format, just right click and save the track (below the player). Headphones are recommended. |
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Eastern Market, Detroit, Michigan, July 2008, 00:02:34 Zocalo, Mexico City, May 2006, 00:07:49
17th Street Market, Richmond, |
Markets, Various Locations, 2000-08
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Shedd Aquarium, Chicago, Illinois, December 2006, 00:01:06 Belles Artes Museum, Mexico City, May 2006, 00:00:38
Seattle Public Library, Seattle,
Belize City Airport, Belize City,
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Public Spaces, Various Locations, 2000-08
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music+
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e(x), Part 1, 2003, 00:06:10 e(x), Part 2, 2003, 00:10:17 e(x), Part 3, 2003, 00:14:30
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e(x), Parts 1-3, Digital video, A non-narrative social commentary, in Part 1: Nicholas Gaydos, Benjamin Gaydos Check out the entire project here.
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Three Souls, Ex-Voto for Three Souls, Noun, 2007, 00:07:49 The Boxer, Ex-Voto for Three Souls, Noun, 2007, 00:02:37 The Fisherman, Ex-Voto for Three Souls, Noun, 2007, 00:01:35 |
Ex-Voto for Three Souls, Noun / Diego Rivera-Kohn, 2007, 00:42:45 Noun was asked by filmmaker Diego Rivera-Kohn to contribute to sound design for his beautiful documentary film, Ex-Voto for Three Souls (I also contributed animation which can be viewed here). You can view the trailer to Ex-Voto here.
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Only to See, Digital Video, 2005, 00:04:39 |
Only to See, Digital
Click here to view more of my films and soundtrack work.
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sound design+ production+ |
Poïesis VI (Part A), Poïesis I-VII, 2006, 00:01:29 Poïesis II, Poïesis I-VII, 2006, 00:01:49 Poïesis IV, Poïesis I-VII, 2006, 00:03:13 |
Poïesis I-VII, 2006, 00:20:51 The Poïesis project began in a grad- You can view the more of the project here, or click here to download the entire collection of Poïesis audio collages.
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Fort Wendy, Outside Circle collective (Featuring Rachel Yezbick), JOMAS Volume 001, 2005, 00:01:50 Pure Pop, Tim Lane, JOMAS Volume 001, 2005, 00:03:25 Beneath the Budding Greenwoods, Evie Wright / Nick Lyon, JOMAS Volume 001, 2005, 00:02:58
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JOMAS (The Journal of Motion and Sound), CD + DVD, Outside Circle Collective, 2005 The Journal of Motion and Sound These three tracks showcase the diversity of the collection. In addition to production, I edited and mixed Fort Wendy and Beneath the Budding Green Woods, and on Pure Pop, I recorded and mixed Tim Lane's carbonated verse. For more of JOMAS click here.
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multi-channel + installation+ | The following examples were used in multi-channel installation works (usually in a gallery setting), as compositions for multi-channel DVD (audio and/or video), or as 5.1 surround sound mixes for films.
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The files available for download below are in Dolby Digital (AC-3) format, and may be played on your computer if you have 5.1 channel sound system.
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fleshconcret, (stereo version, channels 1+2), 2004-07, 01:08:09
fleshconcret, (stereo version, channels 3+4), 2004-07, 01:08:09 fleshconcret, (stereo version, channels 5+6), 2004-07, 01:08:09
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fleshconcret (the Detroit Project), multi-channel sound installation, 2004-07 fleshconcret began as a means for a personal understanding of Detroit, a city I had long called my hometown; focusing on architecture, immigration, city planning and human response to the psycho-geography of a city. The project took on the form of a mixed media installation which combined video, ethnographic audio (interviews/field recordings) with print media, which served as an appendix to the five channel installation. Each audio channel is the voice of a resident recounting their life and living situations, covering over 70 years of personal narratives in Detroit. The appendix (which unfolds to 7’x10’) maps the conversations, paralleling each with the city’s history. This installation is the result of a long (4 year) meditation on the city of Detroit. For more on the project, click here.
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Univers, (5.1 mix film), 2005, 00:01:14 Only to See, (5.1 mix film), 2005, 00:04:39 Poïesis IV, (5.1 mix audio), Poïesis I-VII, 2006, 00:02:22 Poïesis VII, (5.1 mix audio), Poïesis I-VII, 2006, 00:02:09
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Various 5.1 Soundtracks, Dolby Digital Surround, 2005-08 Poïesis tracks are availbale as Dolby Surround (AC-3) files, while Univers and Only to See are downloadable films (WMV). Click here to view the films in stereo.
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